My thesis project, Turns Relentlessly Forward, takes place in vast landscapes as an entry for understanding income inequality and American ambition. The use of poetry, essays and drawings speaks to the principles of American work ethic and individualism, but simultaneously invites readers into a process of reclamation and reinterpretation of these values.I often recall the military influence I grew up with as a starting point. The book contains over a year of collected writing and over 75 drawings.

Each section of the book is titled with military slang or lingo and paired with one of my monotype drawings. I am interested in the symbols of the cowboys and soldiers and their relationship to grit and independence. This work is constantly running along the infinity of the open road, attempting to cover the distance in drawings, design and writing exploring the myths and values of the American Dream.

Details

Writing, Publication Design, Monotype Printing

Date

January 2021-May 2022

MY DAD AND I ARE ALWAYS IN NEW PLACES SO HE TELLS ME TO CONDUCT RECONNAISSANCE


I have never driven drunk but I have certainly assumed the same risk while biking drunk in the rain. Amsterdam cobblestones are unforgiving, not unlike Providence bricks or limitless speeds on Colorado highways or rural Wisconsin roads after sunset. We take these routes and assume risk each time, just at varying degrees. You are here and you are understanding that everything is like that all of the time. We’re just more aware of it in some instances.

You are here, but my body is sprawling between these places, which are unfortunately dumbed down to pins in a styrofoam map on my aunt’s wall. In my head, however, they are linked in ways which are obvious to me even if the differences between American suburbs and Sri Lankan paddy fields are insurmountable. I am not in either of those places but I am here and the places are within me. Being here, it reminds me how much I love struggling to comprehend that these spaces exist on the same planet. And if I consider that, then imagine all the spaces between and beyond them, in all directions. You and I both cannot, and it is frighteningly wonderful.

You are here, while I find a blue peanut M&M that is just convincing enough to be the shape of a heart. I hold it between my two fingers and take a photo of it in the kitchen light. What you hope when entering a situation is that everyone’s and everything’s ascribed differences do not matter. But the only way to discover if this holds true is by enduring the situation, acknowledging. Can you perform? My dad is always saying that.

I am here, but I feel the pulling weight of great distances splitting. I first saw my hometown from a plane window and since then I have always wished to live everywhere. Endurance meets performance in some sort of intoxicating physicality which is distance. Distance lived, distance covered, and the means and methods of covering it. But somehow, someone is always reminding me and you, that we are here.


INSTALLATION

As part of my thesis presentation, I printed and exhibited Birth Week, the second to last poem in my book, which discusses the incomprehensible weight and grandeur of gratitude. This was showcased alongside my hand-bound hardcover book, chapbooks and over 75 monotype prints and drawings.

3×16’, inkjet print on cotton
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